Summer 1 | Recomposed by Max Richter: Vivaldi, The Four Seasons

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“It’s being aware of what it means to lose oneself before being completely abandoned.” – Schumann’s Fantasia in C Major

Have you read Adorno on Schumann’s Fantasia in C Major? He talks of his twilight. It’s not Schumann bereft of reason, but just before. A fraction before. He knows he’s losing his mind. It torments him but he clings on one last time. It’s being aware of what it means to lose oneself before being completely abandoned.” – The Piano Teacher, 2001 (dir. Michael Haneke)

The Fantasie in C major, Op. 17, was written by Robert Schumann in 1836. It was revised prior to publication in 1839, when it was dedicated to Franz Liszt. It is generally described as one of Schumann’s greatest works for solo piano, and is one of the central works of the early Romantic period. It is often called by the Italian version, Fantasia; the word “Fantasie” is the German spelling.

Mozart’s Piano Concerto No. 23 II – Adagio – by Hélène Grimaud

Watch Hélène Grimaud play the Adagio from Mozart’s Piano Concerto no. 23, which recorded for her new album marking two ‘firsts’ for Hélène Grimaud – her first live DG recording and her first ever Mozart concerto recording. Continue reading “Mozart’s Piano Concerto No. 23 II – Adagio – by Hélène Grimaud”